Archive for June, 2009

New Work: The Twitching Stick

Friday, June 26th, 2009

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Another clip finally made it to my inbox this week from a great and (a bit) weird shoot of dowser Dick Burnett for Discovery Channel Magazine (out of Singapore). “Dowser” is one of those words and skills lost to the forward march of progress, but others still know it as a water witch or a diviner; someone who uses a fresh, forked stick to search for (usually) underground water sources, or other hidden items.

We spent some time with Dick and his wife at their home in central Florida and watched Dick feel the tug of this powerful force surging beneath our feet. To Dick’s credit he’s never charged anyone to “witch a well” for them. He just sees it as a gift like calculating the dinner tip quickly.

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A note about working for Discovery Channel Magazine… go for it! Interesting stories, a lot of freedom artistically, and the decent pay is wired almost immediately after they receive your final invoice (something that can help a lot these days). Thanks to Dick for his time and gift, and to photo editor Charles Pertwee for giving me a call and reminding me of one of those lost arts of the modern world. Here are a couple of more that I really dug from the shoot.

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New Work: Building NASA’s Future

Tuesday, June 23rd, 2009

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One of the important benefits of having a rep (thanks LL!) is being able to receive assignments even when you are incredibly disconnected from the world (like say on a yacht sailing the Galapagos). Later once I did get the details of a feature for Technology Review in Cape Canaveral, FL to photograph NASA’s Ares 1-X rocket program I was beyond stoked. Photographs aside, getting access to check out the Kennedy Space Center (where I had last been as a kid on a class field trip) is just amazing and it was a real treat to get the full-on tour of the launch pads and vehicle assembly building.

Our mission was to photograph the final stages of the rocket assembly (there are a LOT of rules governing photography with NASA as you can imagine… and it really punishes both the client and NASA because there is so much more that they could be doing to get how amazing their entire universe is out there) as well as to photograph Ares 1-X deputy manager Jon Cowart. Because we couldn’t photograph anyone working, or anything being moved, or with any lights (damn) of any kind, or anything with any action in it I had a hard time trying to realize the vast scale and mission. But again it was just really friggin’ cool.

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Jon was a gem to work with and even gave me a hilarious Captain Morgan impression (I love a subject who thinks that if they do something real quick I’ll miss it). The real star of the show however was the V.A.B. itself, one of the world’s largest buildings (4th, by volume). To walk inside a 525-foot open steel structure is cool, but one that is also filled with rad space vehicle parts its indescribable. Click here for a 180-degree vertically stitched images of the V.A.B. main hall.

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Many thanks to NASA, Jon Cowart, and Lee Caulfield at Technology Review for connecting me with such a badass assignment and experience. And here’s one last image that I liked, looking straight up (from ground level) to the roof of the V.A.B. at one of the massive cranes (250 tons max!) used to lift and stack (everything is done vertically, which is mind-boggling) the shuttles and rockets (the nose of the Ares 1-X is at top right) of the NASA space program.

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Congrats, congrats

Monday, June 22nd, 2009

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Hearty congrats are in order to singer/songsmith Scott Pryor for releasing his new album Theater for the Weary. We unfortunately (for us) missed his show last Friday in Philly, but I know it was a fantastic performance and party and the Doc and I are lucky indeed to count him among our close friends. The portrait above was from a late-night, impromptu session earlier this year during some vacation. Another image from the shoot found a home in the Theater packaging.

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Secondly, but pretty impressive as well (just a bit), I wanted to give a shout out to golfer Lucas Glover who I had a great time shooting a few years ago during the Doral championship event for Golf Magazine. Glover of course won the soggy U.S. Open today, beating out good ole Phil; watching Mickelson come so close and not win again and again is one of life’s pleasures to those of us who have had unpleasant encounters with him and his ego. The very day I shot Lucas for Golf we were actually supposed to be shooting a long planned feature with Phil, but he totally blew us off for no other reason than he’s a giant git and so we made chicken salad and moved on. Congrats to you Mr. Pryor and Mr. Glover!

Dominoes

Tuesday, June 16th, 2009

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Our 2-week-iversary in the Apple was celebrated last Friday with a revered newbie tradition, e.g. taking the free water taxi to IKEA in Brooklyn to buy a bunch of bargain Nordic home accessories. And over the weekend I banished the last of the boxes and finished organizing my office and the super sized closet (clothes, photo/lighting gear, tools, laundry hamper, luggage). So I guess officially we are settled, though it still feels pretty dam new to be living in NYC.

Sitting in my office (in my new sick chair) it’s easy to lose track of being here. But then I turn around and find the city vibrating just outside the living room window… the ability to walk out the door into a whole world within easy reach is so incredibly satisfying and just right. And I guess maybe that is what life-long New Yorkers just can’t shake when they move on and produces that attitude or almost total amazement that everywhere else doesn’t want to feel the same.

JLP’s first flirtation with working in NYC (or more precisely out of it… 2 shoots last week in Florida) have been fine if a bit tense. I had this idea from afar that I just need to learn all of the tricks and then I would see that its not such a big deal. I thought I’d get handed that golden manual that would make hauling gear, organizing logistics, and moving swiftly and efficiently around the city a piece of cake… but now I’m starting to understand that the manual only has one page in it, and all it says in really big, bold letters is: “GET IT DONE.” Get as much help as possible, don’t stress about the process being stressful (because it will be), and just start pushing.

Emotionally in the first 2 weeks there have been a lot of great things and a few really annoying bits, but so much has happened that it almost feels like life is a huge line of dominoes tumbling one into the next. If you laid them out correctly good things create more good things, leading into infinite until the last tile drops. Here’s to hoping.

And speaking of dominoes… these images are from a recent feature on Miami’s Little Havana and Calle Ocho districts for United Airline’s Hemispheres magazine, which has just been relaunched and redesigned. Photographing the old school Cuban exiles playing dominoes everyday in Maximo Gomez (Domino) Park on SW 8th St is sort of a rite of passage… everyone has done it (my friends Ben Lowy, Carolyn Drake, and just about anyone else who has ever worked professionally in south Florida). These guys are so used to cameras that they don’t give a fuck what you do, or even if you stand on top of the table while they play.

Despite a ridiculously tight budget for the feature I made an appointment to head back on my own time and do a proper portrait of Padron Cigars founder and one of the original godfathers of Little Havana Jose Orlando Padron (below). An alternate frame was used as the opener, but I really liked this one because the smoke sort of shows Padron to be lost in time between coming to America 5 decades earlier and being given a hammer which he used to create the savings which allowed him to open a cigar brand which today has won numerous cigar of the year titles. Thanks to the Padron family for giving me access and to Ink Publishing photo editor Erin Giunta for making me a part of the first revamped issue.

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New Work: Silence is Golden, Unnghh!

Monday, June 8th, 2009

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One of the pleasures of living in NYC is certainly having the local newsstand just a short walk away (mine is across the street from another big pleasure, Chipotle). Today I spied the new issue of ESPN the Magazine (June 15) and was rewarded inside with both my feature of rad motocross driver Ashley Fiolek (story written by another rad chick, Alyssa Roenigk) and also a short and sweet “Ode” to the blocking sled with Miami Dolphins offensive tackle Jake Long. Two JLP tasty bits for the price of one!

The hook on Ashley’s story is that she is deaf but obviously no one told her that it could possibly slow her down, as she just took the crown as fastest woman racer in motocross as a rookie this season. Shooting with people who are deaf or mute or any other challenge can be tough, but often as not, and just like traveling in foreign countries, it’s all about the body language. Despite Ashley being deaf it was super easy to communicate and all of us spent the entire shoot doing a lot of laughing before hitting a local track near St. Augustine to rip it up.

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Like a lot of my shoots this one was broken up into 2 parts… lit portraiture (in this case white seamless with a truck load of lights) and action/reportage. We started on the seamless in a tiny space (not easy but we made it work) shooting Ashley in her official racing gear (including the ultra heavy boots, which she even did her best Philip Halsman-esque jump in for me). My buddy Jimmy DeFlippo helped me out to keep things rolling and get everything we needed.

At the track it was pretty amazing to see a pro attacking the course just a couple of feet away (or above my head). Stupidly I totally lost my mind when I was packing for the trip and only had a pair of sandals which was especially fun in the dirt. I certainly don’t mind getting dirty (sort of live for it), and we wrapped up by playing with Ashley’s kid brother (he’s def going to be a fearless racer himself) and then listening to the most insane Elvis impersonator on record at a local dive with Alyssa and Jimmy. Basically a perfect shoot.

The inside baseball of the shoot was that I actually learned about 15 minutes before it began that the Dr. had gotten into her residency of choice and we were moving to NYC in about a month. Even if I didn’t crash the rental car, it was still tough to focus. Ultimately the technical lighting with the seamless sort of saved me and pulled me out of my head. Lugging around 8 lights can keep your head pretty clear it turns out. Here are a couple of more of Ashley that didn’t find a home in the magazine:

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Next up is a quick one on a super rainy day (month?!) at the Miami Dolphins training facility with OT Jake Long in appreciation of one of the tools of the NFL trade: the lowly blocking sled. Honestly this one was brutal and sort of a miracle that we even got it in the can. Rain, last minute shoot, limited time with subject; I got a short break and got completely set up… and Jake was a bit behind schedule… and right when we get him, yep, the skies open up. So we wait around and chat. Jake is becoming a big golf fan, etc. Finally its only lightly raining (compared to hail that’s pretty good) and we run out there. 10 minutes  later the skies open up again. That’s a wrap!!

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Many thanks to Ashley and Jake, to photo editor Jennifer Aborn, and I guess to the weather gods? Here is another of Jake that I liked:

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