Archive for June, 2011

Pioneers IX

Monday, June 20th, 2011
Some of my favorites in the last half of the film from my Nevada trip for the Pioneers! O Pioneers! project. Took me all week to get the scanning finished but I'm feeling excited about where things are headed. From top: Intake penstock towers and power lines at Hoover Dam; clear cut forest south of Mono Lake, CA; abandoned new construction in Providence, NV; ghost mining town Bodie, CA; deserted home and gas station along US-95 in NV; graffiti in ghost sites, NV; empty highways near Las Vegas; MeadowCliff RV resort along US-395; walking the dog in front of model home development; fishing lower Rye Patch Dam on Humboldt River; sun sets over mining town Tonopah, NV. (Earlier posts on the Pioneers project: IIIIIIIVVVIVII, VIII)

Pioneers VIII

Monday, June 13th, 2011
As promised here are a few more from the first half of scanned film from my recent Nevada trip for the Pioneers! O Pioneers! project. Come back for a whole bunch more next week once I'm back in NYC. From top: Great Depression-era ghost town Metropolis, construction crane south of West Wendover, promises to come (golf course in the middle of nowhere) at Coyote Springs, and irrigation at dusk along US-93A near McGill. (Earlier posts on the Pioneers project: IIIIIIIVVVI, VII)

Pioneers VII

Saturday, June 11th, 2011
Over the last whirlwind week of production and editing I was only able to scan about half of the film from my recent side trip in Nevada for the Pioneers! project before heading down to sunny, swampy, humid Miami for a handful of shoots. Here are some of my early favorites from the Silver State. I'll be back with a few more on Monday. From top: Cathedral Gorge state park, Las Vegas arts district, Black Canyon power lines, Bonneville salt flats, RV and hogs wind down hairpin curve to Hoover Dam. (Earlier posts on the Pioneers project: IIIIIIIVV, VI)

Day in the Life of Sports

Tuesday, June 7th, 2011
This week finds ESPN the Mag's "Photo Issue" (June 13) on the newsstand and within a really cool photo project that I was psyched to be involved in, "A Day in the Life of Sports." Photo stud Jim Surber gave me the call last month to tackle something close to my heart: NBA playoffs & the Miami Heat. The only thing that could go wrong did go wrong, which is that the "Day" in question was game 3, which is the only game in the Celtics series that the Heat played like total shit. The whole idea of the large project (there were 30+ photographers shooting all over the world at the same time on May 7, 2011) was to find unique moments that were not attached to the game action specifically (since it would come to print 3 weeks late). Some of the assignments were to photograph sports somewhat open access-wise. The NBA playoffs are not, at all. So how do you cover a major sporting event outside of the normal confines... well that was the whole ball game. I rolled into the Garden 5 hours pre-game to get things checked out and make sure the floor spot was taped off. Unfortunately the weather didn't care about my preparedness and that was a bummer because I really wanted to hang outside the arena and photograph the Celtic faithful. Strangely fans don't like to wait outside when its pouring rain and so fan-time was cut severely short (the design of the new Garden didn't help either... you sort of enter the building (train station) before you go into the arena itself... also Celtics like Heat fans arrive late like asshats). So with a couple of strikes against me I hustled, pulled out some toys (tilt-shift-acular), and just threw whatever I could at the wall (pans, blurs, and lots of green stuff). In the end we had a ton of pictures and ESPN was happy, even if the game was totally un-reflective of the series at large. The universe managed to kick me in the balls one last time and have my least favorite player in the league, Paul Pierce, give me by FAR the best stuff. Even so I got to watch my team play live and get paid for it... not too bad! One last little note that whether you are a Celtics fan or hater... watching Ray Allen take practice HOURS before most of the rest of the team has even showed up is pretty amazing. Witnessing anyone's devotion to a craft that they have taken to a whole new level is special. Later on Lebron shot around and made about 10% as many shot attempts (unsurprisingly he had a terrible game 3).

Pioneers VI

Friday, June 3rd, 2011
(Earlier posts on the Pioneers project: IIIIIIIV, V) Keen eyes will notice that the above map, from a 4 a.m. planning session at the Wendover Motel 6, covers Nevada, our 36th state and home to my newest trip for the Pioneers! O Pioneers! project. I was sent to Vegas last week to shoot a feature story for a great new client and was able to tack on an extra week to tackle the Silver State (though I photographed a lot more gold activity both current and civil war-era). Tackle is really the right word... NV is damn large, the 7th largest actually, and I covered more than 1500 miles of it's circumference over the last few days. What I found - I had never been outside of Vegas, the Hoover dam, and the interstates leading to/from the Grand Circle loop - is a beautiful and beautifully empty state (2/3rds lives in the Vegas metro area) with a lot of elevation, sand, and wind, a lot of history, natural beauty, and some weird bits, all of which is basically right in line with my project. Similar to the feeling of leaving NYC to go anywhere and change pace, leaving the Vegas strip is also a great escape... and Monday morning I was up early heading north, gaining elevation, and headed through the Great Basin all the way up to the NE corner of the state. Along the way I was pulled over for speeding (god love these tiny towns who run the speed limit, on a 7% grade coming down a mountain, from 70mph to 25mph over the course of a 1/4 mile), narrowly missed a snow storm, and ran into a natural wonder to rival Utah's best (Cathedral Gorge is an insanely pretty place and should be a part of NPS). For whatever reason, maybe because I stayed away from the tables the previous week, this third trip had luck... the afore-mentioned cop only gave me a warning (I was doing +12) and was a photography buff who was happy to chat and had suggestions. Beautiful and private property was always empty or relatively easy to access with something I could easily climb to get some height. The sky seemed to always clear (or a cloud suddenly blunt the midday sun) at opportune times. South of Reno I drove on maybe the most ridiculously fun public road I've ever experienced (I've driven A LOT) in US-120 going east of Mono Lake. At times, as I found my cheap lodging well after dark, the following day's plan looked almost blank but somewhere/how I would run smack into a really juicy spot by just getting on the road early and trucking on, and through that the momentum stayed by my side, keeping the more natural long road trip companions of self-doubt and loathing in the back seat. Whether or not the photographs will tease this luck further out remains to be seen of course, but I shot nearly all of my allotted film so there is a gitty in my up heading back to NYC. In general though the project is starting to form into a solid shape with specific themes: The west is big, the west is empty, nature is powerful and un-tameable, the west is useful, tourism shapes the west in strange ways, RV parks are bizarrely gravitating, the western cities are sprawling in mockery of the natural beauty steps beyond it's vague borders, the west is America, the west is freedom, the west is... Likely each successive trip will be better than the last because I'll be that much better at finding pieces which fit together and getting closer to a body of work that hangs together. As much as I love driving and exploring the world, I want to be building something real with this project, something that has weight and scale. In Nevada I tried to find some evidence of what the modern California emigrant trail looks like but it just didn't feel right; a river without context is just a river. Likely I'll be moving away from specifically shooting the places of the past unless they have a context and grounding in present-day. Pioneers is not supposed to be a history lesson, even if the process of shooting researching this project has been profoundly educational and inspiring to me. On a red-eye flight home tonight. Excited to get back to it and return some of this energy into my other personal projects located a whole lot closer to home and life as normal. I'm also supremely happy to be returning the rental and going back to my car-free citified-life; gas is crazy expensive (2 days ago in the middle of nowhere I was forced to buy $4.99/gal regular).