Archive for the ‘Portraits’ Category

2009, Best of

Tuesday, December 29th, 2009

The year that was… looking back it’s a blur. There were lots of portraits I’m pretty sure, a bit of travel, some strange little bits I shot for myself, several compelling stories and failed experiments, some work on personal projects, and yeah a bunch of portraits, of athletes and authors, executives and educators, scientists and seniors, divas and the indebted.

Last year I spent a lot of time thinking and looking at scale and felt very strongly that I wanted to incorporate a more removed, grander, almost reverant/classical perspective to serve as a counter point to my portraiture. This year my portfolio has several pieces that definitely are moving in that direction, either in landscape or numbers, and it’s been a really nice challenge and motivation.

In portraiture this year I think that I found a rhythm and method to my lighting style, though that was completely left behind or stripped back when it didn’t fit a particular subject. In some ways I was going at two opposite directions, using a more direct approach with a lot less that had “fingerprints” all over it, and then also building up a whole lot more to create some sort of unmasked ideal. God love my subjects this year who all endured 30-50% more set-ups than I might have insisted upon in years past… I definitely threw more spaghetti/ideas at the wall, which will continue and expand in 2010.

Here then are my (released) favorites, several of which you may have seen:

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Curtain call

Wednesday, December 9th, 2009

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Well if there wasn’t for bad luck we wouldn’t have any luck at all… or something like that. I was pretty busy in November for Business Week’s SmallBiz magazine shooting for freelance photo editor Jane Clark (rumor has it she has now moved on to Smart Money). Just a week after I rushed in my final files for the new Dec/Jan issue seen above and below new owners Bloomberg shut the door on SmallBiz; thankfully no staff was fired.

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First up I shot a package on corporate diversity in the NYC area, visiting the fine folks at Neil Cerbone Associates and Double Platinum ad agency, both gay-owned businesses certified by the National Gay & Lesbian Chamber of Commerce. Despite taking place in boring offices we managed to find some fun and weird elements to incorporate into each shoot and the subjects were a great pleasure to work with. And fair warning out there: if I find a giant roll of packing bubbles I’m going to use it!

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After the success of the first two shoots I was called back to shoot the cover for the issue down in FL on a story about business financing during the credit crunch caused by the meltdown. Honestly I’m really upset with the pre-press/toning for this cover (my final file is above right) which is completely off from what I shot and delivered (the image of Neil Cerbone got abused as well), but c’est la vie.

The cover feature was for a story that had already been shot once, but they now wanted a different look. Unlike the vast majority of my work, the editors and art director had a very clear idea of what they wanted (background, props, etc) so I tried to make a mark on the details & lighting. We still managed a few different ideas and had fun, but it was a crazy shoot because the whole thing took place inside a refrigerated room at Field of Flowers florist in Davie, FL. That’s right, cover shoot inside a flower freezer… it was cold.

Big thanks to the subjects and my buddy Matt who assisted me for their energy and endurance. Here are a couple more of the Flipse family that I liked:

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New Work: Second Skin

Thursday, November 19th, 2009

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Fresh out on the newsstands in ESPN the Magazine’s Nov. 30th issue is a really fun feature that I shot on the Penn State University mascot, the Nittany Lion.  Though the shoot (which took place over Homecoming weekend and during that unseasonal Nor’easter last month) was not without its challenges, writer Larry Smith, assistant Brian Harkin, and I had a fantastic time stalking the Lion both in and out of costume. A special thanks to the Lion himself, Clint Gyory, who in addition to being a great athlete was also super patient with our crew.  And of course big ups to ESPN picture editors Catriona Ni Aolain and Joe Rodriguez.

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The main pleasure for me with this type of story was the freedom to go a hundred different directions with it, and my huge edit of final selects proved that we packed in a ton of ideas and set-ups into our snowy 2 days.  Lion found himself in the shower, outside shoveling snow, playing Rock Band, reading the paper (we really freaked out the dog with Clint’s costumed self), and doing other mundane household duties in addition to the (all lit!) reportage follow-along shooting we did of him at pep rallies, ice cream socials, parades, arenas, changing rooms, and of course the football stadium.  The college mascots life and energy don’t ever stop, especially during homecoming, and so we didn’t either.

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College athletics (and football especially) are my favorite as a fan and a member of the media because of the energy, passion, and unpredictability.  The Penn State fans were chosen for this article because they live and breathe it in this really compelling way… case in point the homecoming parade was several hours long in the freezing rain and snow and the entire route was packed with people screaming their heads off.  Sure State College is a tiny town in rural PA, but the atmosphere was infectious and it certainly helped give us a boost far after we’d have liked to head back to the hotel (which actually lost power and had to shut down).

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Here are a few more favorites that didn’t make the cut:

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New Work: Lost in the Waves

Monday, October 26th, 2009

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Somewhere in the middle of last week’s Photo Plus Expo hustle and satellite events, parties, and a birthday for yours truly (the big 3-0), I spied the November issue of Men’s Journal on the newsstand which contains a harrowing tale of a father and son lost at sea written by Justin Heckert.

Justin and I spent some time with Walt Marino whose autistic son Chris was pulled out into the ocean at the Ponce Inlet just south of Daytona Beach, FL, as night fell, leading father and son on a terrible overnight water treading marathon.  At some point Walt had to let go of Chris or risk being drowned himself, and in the blackness they became two voices calling back and forth to each other Disney movie quotes (one of the few things that really connects with Chris as an autistic child), until Walt could no longer hear Chris. The only thing present the entire night was the sweep of the Ponce de Leon Inlet lighthouse, the tallest in Florida.

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The next morning a Coast Guard crew found Walt and rescued him beyond exhausted and assuming that his son was dead.  Instead of going to the hospital Walt demanded to stay with them as they continued their search for his son.  A short time later Chris was found, saved by the Y.M.C.A. swimming lessons that had sunk in.

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Unfortunately very little of the work we shot of Walt and Chris found a home in the magazine, which is disappointing but understandable after a challenging shoot (many thanks to friend Matthew Ratajczak for lending a hand).  It was certainly a distinct pleasure though to meet father and son and yet again affirm the lengths that people go for love and life, and work with Justin whose story is a really powerful read (find it online here).  Here’s one last portrait of Walt back at the beach where they survived.

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The Big Tuna

Tuesday, September 15th, 2009

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Maybe 2009 will be remembered as the year of Big challenges?  So it was last month on assignment for Forbes to photograph legendary NFL coach and current Miami Dolphins VP of Operations Bill Parcells at the team’s training facility.  Now I’ve had a few challenging shoots with the Dolphins… the recent Jake Long shoot for ESPN was done in a 10 minute break between torrential downpours and thunderstorms.  All good fun and par for the course, really.  But this time the ante was upped.

My access (really not even the right word to use) to “The Big Tuna,” as Coach Parcells is known, was right smack with the other members of the local media outlets during the first 20 minutes of the team’s morning practice.  OK, fine, but I was asked to make a “portrait” for the cover story.  I don’t usually think of the word portrait when I’m holding a 400mm lens and am stuck a couple of hundred feet away from the subject (on the wrong side of the harsh morning light), in sweltering south Florida humidity, but sure.  If this was a newspaper and it was a daily coverage story on Parcells, then cool that makes sense.  But this is a cover story in an important national business magazine.

The image above was my favorite and I was super pleased that Forbes used it because it summed up exactly what the situation was like (as well as another small one in the table of contents).  I hope that the Dolphins and Parcells really don’t like this one so that next time they give me or some other photographer the 20 seconds (yes, seconds) that I begged to be allowed for a full lit portrait anywhere they wanted me to set-up.  In fairness the Dolphins media relations crew did warn us, and Bill even generously asked/shouted to me “did you get everything you need?!” only minutes into my shooting.  You’re welcome, Forbes that I did not flip him off or shout back any Serena-esque choice phrases.

Ah yes, the glamorous life of a freelance magazine photographer…