Archive for the ‘Promotion’ Category

Dirty 305

Sunday, November 29th, 2009

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As most of you know — because who doesn’t read Pop Photo & PDN cover-to-cover every month, right? – - John Loomis Photography was featured in both industry mags’ December issues.  First up, Popular Photography asks me “How to” (click on the image above to see it larger/clearer) in a re-cap of a Men’s Health assignment that I shot in Quantico, VA on evolving real-world training methods for the Marines.  The original concept of the how-to was to show my select and then a bunch of crappy frames (I make a lot of those) which missed the mark, illustrating how-not-to, but they instead wisely chose a direct approach.  Important tip included in the story: I get dirty.  Thanks to Pop Photo’s Debbie Grossman for reaching out to me, and to Men’s Health Michelle Stark, for giving me the job (and excuse to get dirty) in the first place.  For those interested, the rest of short piece is below:

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Next up is Photo District News, who delivers an updated City Guide on Miami in their new issue, in which I’m quoted a few times – the most honest of which are not attributed, thanks Conor!  I haven’t seen the print edition yet, but if its fun and/or has a sweet pic by yours truly in there, I’ll update to let you have a nice chuckle.

Working in Miami continues to be love/hate for me, but I do appreciate it a bit more now that I spend most of my time in NYC.  The people, attitude, traffic, pretentiousness, and $$ are hard to deal with… but the weather is insane and local color & backgrounds can be fantastic if you know where to look, plus I like pork sandwiches a lot.  Purely photographically-speaking it’s not an easy place to be for any thing other than catalog or fashion shoots.  The local clients mostly pay terrible and demand the world, the pool of assistants is thin, and the photo gallery scene is non-existent most of the year (at least I’ve rarely seen signs of life outside of Basel).  But as I’ve said many times before, standing on the beach in mid-January, when the weather is a chilly 74, you feel like a genius.

Long live the portfolio

Friday, September 25th, 2009

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After plotting the demise of the printed portfolio most of the summer in favor of a digital version I put the finishing wraps on my new beautiful 11×14 self-printed book earlier this month.  You didn’t read that incorrectly, I did a 180.  After a lot of tinkering and informal research I came to the conclusion that most of my clients weren’t going to get, or even especially like, my digital idea, that the presentation itself just wasn’t dynamic enough yet, and most of all trying to sell editors, ADs, and art buyers on my photography is job enough without adding a potentially vexing technology into the discussion.

So I created a print book, complete with new engraved covers, and it was just as tough and great of a process as I’ve recounted on this blog a couple of times.  But instead of turning my back on the digital version or putting it on the back burner to fight another day, I decided to make it a co-star in the form of custom USB flash drives that I’m giving away as my “leave behinds” to all of the fantastic people who have made time to see me.  I’m thinking about it as softening the ground for an eventual full-on move into digital, but at the very least it’s pretty cool to play with what is possible, and thus far the flash drives have been well-received.

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Previously promising myself and my rep that I wasn’t going to present another portfolio with those awful poly plastic pages, I had little other choice than to go back to Epson (the 2880) and work with a fantastic, thick double-sided paper (Museo II 365).  The new Epson worked exceptionally well though the process is of course a massive pain (in the end I chose to punch holes, and score/fold each pages myself… not fun).  But I’m really proud and excited for the book and of course because I did the entire thing “in-house” I can update it at will.

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The USB drives will be a constant process of tinkering and perfecting flash drives for each of my clients (one of the cool things about using digital).  Right now the drive contains multiple digital versions of the book (Quicktime formatted, self-playing movie, iPhone-ready version of movie, and a PDF version of the portfolio) as well as extras such as a digital Tearsheet book (another self-playing movie), links to websites, rep, blog, twitter/facebook and more.  Eventually the USB will include more behind the scenes and fun stuff that shows how and why I shoot.

One of the major reasons that I decided to stay away from the print book was of course cost, and absolutely this new book wasn’t cheap (though I saved a whole lot doing it myself, despite buying the new Epson).  But I just wasn’t ready to rely on a Blurb for my main portfolio presentation (though after the awards event for Photography Book Now I can definitely say that I’m impressed).  To me, as I’ve talked about before, photography is a luxury service and must be treated as such from a marketing standpoint.  Especially in a tough economic climate I need to stand apart and hopefully this book and selection of my work will do that.

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Round 2 of the process is coming up fast as I re-configure the first editorial/portrait book seen above into more of a commercial/advertising presentation in time for my rep Leah to head into NYC.  I’m already dreading the scoring and folding, but art is supposed to be hard, no?  Any new or old clients reading this who are interested in seeing the new portfolio themselves… please give me or Leah a call or e-mail and let’s schedule a meeting!

The portfolio is dead

Monday, August 10th, 2009

The portfolio is dead. Long live the portfolio!

Above you see the new John Loomis Phootgraphy digital portfolio (this one is slanted towards portraiture). I’ve decided that I’m no longer going to focus my efforts on creating traditional print portfolios and will instead think about ways to give people the ability to connect with my work digitally over a variety of formats and devices – (Download the JLP portfolio for your iPhone here).

The change is not in the least bit revolutionary as newspaper photographers have been using digital portfolios for more than a decade, as have several other notable commercial and editorial shooters. But I’m going to begin to think about the portfolio as one cornerstone of the content stream from JLP HQ, not a physical object that is both very expensive and little used (hardly anyone calls in books anymore).

The benefits of a digital portfolio are endless but there are obvious drawbacks and perception issues. People love the feel of something in their hands, and I’m not any different. But a digital portfolio can connect in new ways and include multiple types of media and story telling possibilities, hyperlinks that go directly to your website, rep, blog, behind the scene footage, gag reels, tearsheet books, etc. etc., in what ultimately may me a more engaging and memorable experience. And of course you can easily build a portfolio custom tailored to each client at no extra cost.

While my portfolios are basically finished, the process of putting them in editor’s hands in an elegant and easy to use manner is not quite there yet (luckily it’s August and no one is really in town to meet with anyway!). As I finish the process in the next couple of weeks I’ll report back to share the process of how it all fits together and how it is received by my clients. In the mean time make sure to check out the wise Olivier Laude’s guest post on APE about digital displays in a gallery context, which helped cement my purpose in doing away with my print books.

The BIG news

Monday, March 23rd, 2009

The caller ID showed it was my sister calling. All I could hear was screaming and clapping. I had been waiting for this call for months as we grew closer and closer to The Day.

“New York! NYU! St. Lukes!” she said before handing the phone over to The Fiancée.

For those of you in the know, the day is of course Match Day, when hundreds of medical school students across the country simultaneously open sealed envelopes with the details of where they “matched” into their specialized residency programs. Matching is a binding contract, so the envelope tells you where you will be spending the next 4+ years of your life.

The call came while driving on US-1 with my buddy Jimmy who was assisting me on a ESPN the Magazine shoot last Thursday in northeast Florida. I managed not to drive off the road, though I did get lost.

So the big news is finally real and here… JLP headquarters is expanding and opening a NYC bureau in late May. The Fiancée and I have 2 months to move, oh and only a wedding, honeymoon, and graduation from medical school in between… no sweat.

More than anything else we are excited for the opportunity and challenge but there are a lot of other emotions in there as well, especially as we make mental lists of the 80% of our stuff that is headed to storage or Goodwill.

Many of you will remember the anti-NYC post that I wrote a few years ago on the old blog (I’ll try to look it up and post it for told-you-so’s sake). I’m going to try to write about the process and difficulties of the move to Manhattan. Many many people have made it before me, but maybe there is something in my experience that will help or at least amuse others.