
My year officially started with a call from Jim Surber at
ESPN about a story about Hockeytown USA (eg. Rock City, Motor City, Motown... Detroit) and the rivalry between the Red Wings and the Chicago Blackhawks (the two division rivals have played more games against each other than any other in hockey). Even though I'm from Florida, I always loved hockey and grew up playing some (sans ice), so it was super cool to head out and brave the snow.
Everyone at the
Mag. was hoping for a fight, or maybe a huge riot between fans... but all we got was a really great game and some super fun fans who, though drinking their fair share, were not yet belligerent for a 12:30pm start to the game. The awful weather probably helped keeping heads cool as well... but regardless I had a great time and shot a ton of fans and behind the scenes.

Coverage for stories like this (where I'm working without an assistant - and usually attached at the hip to a PR underling... though to be fair the last few I've been assigned (Houston, Detroit, Miami) were super great) is all about preparation and a ridiculous amount of hard work/hustling. In Detroit I probably ran 6-8 miles around the facility, endlessly looking for pictures, running in and out of the snow, and shooting a huge variety of different types of work (reportage behind the scenes, lit portraits, long lens game action, tilt shift details & landscapes of the stadium). How well you shoot and how great the pictures turn out is directly related to both access (ours in Detroit wasn't that great) and an almost manic expenditure of energy running around like crazy.

This type of coverage is nuts and I love it. It reminds me of being in college and the glory days of newspapers... but it's way more pressure-filled because I've gotta be killing it for my client while also trying to figure out a way to find pictures that are interesting beyond the single game (which this coverage is never about because it is published sometimes months later). By the way, the tilt/shift above is of Detroit's 2nd goal that game (they won 3-2 in OT)... click on it for a larger version.
And of course then I have to make pictures that fit into my style and personal vision. Often I'll try to think about the visual statements and reoccurring themes that I'm finding and then see how to riff on those... it doesn't need to be complicated; mine that day were snow, lines of fans (two below - one for the bathroom, one outside a VIP entrance), murals, etc. You have to make choices because there are just too many things to shoot, and if you simply run around without any focus you'll keep letting things slip right past. But the main thing, yet again, is the energy... you gotta bring it because even the biggest fans you get to stop for a few seconds for you won't shoot well if you just quietly sort of snap a few pics of them. You gotta yell, scream, and make it an event. If a good picture takes badgering the hell out of them then that's what I do - and almost every time that give it all right back and even come up with crazier ideas (I got flashed more than 1 set of nipple rings at that game).
Lastly one of the real treats of this job was shooting in Joe Louis Arena. Even if its not the most comfortable or spacious place for media to work (it was built entirely without a press box), these older stadiums are so full of history and grit that it was really cool just roaming around and enjoying the vibe. It's truly a tragedy in sports that most of the old gems are going extinct.